Archive for Business
Aug
21
Rimoslim (Acomplia) For Sale
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Rimoslim (Acomplia) For Sale, Have you considered a career in disc jockeying. It can be quite an exciting thing to do but it can also be a little bit scary as well, Rimoslim (Acomplia) wiki. Rimoslim (Acomplia) description, Being a disc jockey put you in the limelight at every party that you are playing at. The old saying is true, Rimoslim (Acomplia) no rx, Buy Rimoslim (Acomplia) from canada, the DJ makes the party. So here are some point you should consider before journeying down the path of becoming a DJ.
First things first, Rimoslim (Acomplia) class, Rimoslim (Acomplia) images, make sure you mentor with another experienced this jockey before you invest into your own DJ business. You may find that you do not like disc jockeying once you've tried it, Rimoslim (Acomplia) For Sale. This is one job that has a certain romantic quality about it but once you have tried it you may not like it, buying Rimoslim (Acomplia) online over the counter. Rimoslim (Acomplia) dangers, Also an experienced mentor will help you to avoid a lot of critical mistakes that you could make. A good mentor should teach you the following traits, buy Rimoslim (Acomplia) without prescription, Generic Rimoslim (Acomplia), acceptable behavior as a DJ, moderating a crowd and proper selection of music as well as games.
When you are operating as a disc jockey there is a certain acceptable behavior standard that you should keep, Rimoslim (Acomplia) recreational. Buy no prescription Rimoslim (Acomplia) online, One thing that I recommend above all else is not to drink alcohol when you're being paid as a DJ. Rimoslim (Acomplia) For Sale, Some of your clients probably won't care but many will. Also if you avoid drinking alcohol even if you offered by your client and you refuse it will show that you are a true professional, canada, mexico, india. Discount Rimoslim (Acomplia), Abstaining from alcohol can also avoid sticky legal situations because indirectly you are responsible for the actions of the persons who attend the party you are disc Jockeying at.
That brings me to the second point, moderating a crowd, buy Rimoslim (Acomplia) online cod. Rimoslim (Acomplia) without a prescription, Depending on the style of music you choose to play can either excites your crowd or calm them down. Is your responsibility to ensure that they have fun but stay out of trouble, where can i buy Rimoslim (Acomplia) online. I have seen disc jockeys in the past play too many fast beat songs in a row and soon they find that their crowd starts to get a little too rowdy, Rimoslim (Acomplia) For Sale. What is Rimoslim (Acomplia), This can lead to damages and damages can cost you. So learning how to properly moderate crowd is an extremely important skill to learn and understand.
And this leads me to my final point of this article, real brand Rimoslim (Acomplia) online, Buy Rimoslim (Acomplia) online no prescription, song selection. Not only is song selection important for crowd control but it is also important for the particular time that you are playing, buy cheap Rimoslim (Acomplia). Rimoslim (Acomplia) price, Many clients who wish to have dinner music during their meal. Rimoslim (Acomplia) For Sale, This is the time for soft subtle music and not hard rock music. Also knowing when to stop playing requests from your patrons is very important to song selection, Rimoslim (Acomplia) maximum dosage. Rimoslim (Acomplia) interactions, You can have a few patrons wanting obscure music from a particular album and you could lose the rest your crowd if you play too many obscure songs. But if you'll play one or two over a night you could get those few individuals angry at you, after Rimoslim (Acomplia). Buy cheap Rimoslim (Acomplia) no rx, In rare situations you find that the whole crowd will enjoy these obscure songs. In that case you may select more songs from the obscure pile.
If you're thinking about becoming a DJ find a mentor is critically important, Rimoslim (Acomplia) pics. Rimoslim (Acomplia) from mexico, I wish you luck if you desire to seek this career path.
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Jun
11
Advice For the Aspiring DJ
Posted by: | Comments
Dan Dukesy asked:
Three fundamental elements that successful DJ'ing requires is a love of music, perseverance and enthusiasm. If you have those, then you are most definitely on the right track to become a DJ! But what else do you need to know?
Well, you'll be pleased to know that you do not actually require a certificate to call yourself a DJ, but there are accepted practices to follow which I'll come to a little later. DJ'ing is diverse and some types require great skill where others very little. Essentially, you need to know what type of DJ you want to be because having thousands of pounds worth of disco kit does not make a successful DJ alone!
The 'Jukebox DJ'
The 'Jukebox DJ' is identified as someone who merely plays track after track! The skill factor involved is not exactly demanding and the term is not exactly referred to in an affectionate way! This is a reference to a type of DJ who has little if any interaction with their audience, no microphone technique and is as inanimate and uncharismatic as a Jukebox!
The Mobile DJ
Although there is no specific job description for a Mobile DJ to follow, a fair summary would be to say that a mobile DJ is very much like an entertainer. Mobile DJs can be expected to play music from all variety of genres and to varying sized audiences. Mobile DJs will learn to 'read the audience' and gauge the music they play throughout the night. Lighting used is to enhance atmosphere and over time, the quality of the presentation improves with experience and of course dedication.
As the mobile DJ gains experience, they'll not just gain confidence but they'll also gain the attributes to deal with a particular circumstance. Whilst many types of Mobile DJs interact with the audience as required, there are some mobile DJs who hardly use the microphone, or cater for a specific field of music or genre. Rightly so, the mobile DJ is.
The 'Mobile DJ' is far removed to that of a 'Jukbox DJ' although sadly, there are occasions where Mobile DJs are expected to be just like a jukebox! Mobile DJs are hired to perform at private functions such as Engagements, Wedding Receptions, Birthday Parties, Anniversaries, Pool Parties, etc, public events such as fund raisers, open days, community events, to corporate occasions such as Staff Parties, Dinner and Dances, School Disco's and of course charity events.
Mobile Discos are most certainly more than just loud music and flashy lights! The mobile DJ will play a variety of music from all types of genres, not specifically music of their own liking but orientated towards that of their clients and their guests. Therefore, the mobile DJs music library will be quite diverse and varied, ideally for all types of mobile function that can be catered for.
Based on the reactions to the music played during the function, the mobile DJ is literally 'reading the crowd' and looking for 'feedback' from the number of dancers on the dance floor, their reactions, those tapping their feet who are seated or standing around the room, body language of the guests, etc are all indications for the DJ to interpret in order to assist in the choices of music to be gauged throughout the night.
In some types of functions, the music will be gauged more so due to the nature of the occasion such as a Wedding, where the clients guests may take a little time to become motivated to get up and dance. When this happens, the DJ may have to use the microphone to help encourage the clients guests to participate.
Building a music library
There is no rule as to what music you should buy or focus on to build your music library, suffice to say that the type of functions you wish to cater for are a strong indication!
For example, if you intend to focus on functions where the age group attending is of a particular age, such as 18 to 21, then you'll ideally need a variety of music and not just up to date chart music and tracks from the previous 10 to 20 years. At the time of writing this article, that would indicate music from as far back as the 80s, and does not include the popular 'party tracks' of earlier years! So a wide and varied music selection is always a safe bet as everyone's tastes will be different, unless of course, the function event is a specific type for a specific genre of music to be called for.
In terms of what is described as 'modern dance', 'anthem' and 'clubbing music', music from the late 80s to 90s and onwards would easily fit that category, whereas 'party' and the more modern term of 'cheesy' music covers literally decades of music, right from the 1950s to current!
Naturally, you'll never be able to please everyone 100%, all of the time, as music tastes vary from person to person. But you can appeal to the audience if your music covers a wide variety of genres and your clients will appreciate this if they want everyone to have a great time. Investing in popular tracks from a good quality original source as opposed to the obscure tracks from vague sources would be my best advice. More about this point in a moment.
Learning the ropes
Of course, not everyone will have the ability to be a mobile DJ. It can take years to perfect for some, where others grasp the basics in a relatively short period of time. There is no definitive rule book to follow or short cut to take in becoming a great mobile dj with a good reputation, but by far one of the most simple and ideal routes to becoming a mobile DJ is to work with another established mobile DJ and learn from them.
There are 'DJ courses' you can pay for to learn how to DJ, but nothing beats the experience of attending the function as a 'roadie', from learning how to load and unload a vehicle safely, to helping set-up the DJs equipment, learning how the DJ works with venues, clients and guests, gaining the perspective first-hand from the professional, even learning about the cost of the equipment for the time when you invest in your own, as opposed to attending a class which would cost you money and would most likely not be as enlightening!
Online communities such as the long established 'DJsUnited' forum offer free advice to both newbie's and established professionals. Members share tips and discuss marketing strategies as well as music and DJ related issues; registration is completely free.
Use of pirated music
It can take years to build an extensive quality music library but cutting corners by obtaining tracks illegally in bulk will result in more than just poor sound quality reproductions. Pirated music is damaging the music industry and everyone involved at whatever level they operate has a duty of responsibility, including DJs. Performances with pirated music will undoubtedly reflect on your reputation as a service. Pirated music is usually of a lower sound quality than the original. More importantly, use of such material does nothing to help those upon which we rely on and promote. Without musicians, bands and singers, DJs are of course nothing, and without our investment and proper professional DJ promotion, the up and coming bands and singers have no ideal medium to channel their talent! A symbiosis relationship between the sectors of the music industry is of course mutually beneficial for all, therefore building a music collection from pirated material is indeed immoral and quite damaging to both sectors.
Disco Equipment
The most important thing to remember about disco equipment is this, the tools of the trade do not make the service, it's how they are used by the service provider! So by going out and buying the biggest, latest or most DJ equipment does not make a great DJ!
Ideally, you need to budget for your DJ system and you'd be surprised on how well you can do from as little as ?1,500 investment based on new and second hand purchases, not forgetting that music are also 'tools of the trade' and have a slightly higher priority than flashing lights on purchase considerations! Of course, you'll garner all this by working with another established DJ instead of parting with your money first! It will take time to 'build' and upgrade your disco, the process is ongoing! You'll save a lot of time and money by trying equipment first hand as well as seking advice as opposed to buying the first thing you see!
Venues are increasingly requiring DJs to hold Public Liability Insurance and Portable Appliance Test 'certificates', therefore they too can be considered as 'tools of the trade'. Venues can set the level of Liability insurance required so you would be wise to research the levels for the intended areas of disco service cover. For example, one venue may require ?2 million pounds liability cover, another may insist on ?5 million cover.
PLI is covered in another article but in short, the venues require the DJ to have a minimum level of insurance cover in the event of an accident that may be as a result of neglect on the DJs part. Public Liability for DJs should be obtained as it is specifically intended for DJs and is least likely to be subject to policy scrutiny in the event of a claim.
Portable Appliance Testing should be carried out annually by a competent operator who will test the electrical equipment for safety, documenting the findings which can be produced as evidence if requested by a venue. Ultimately, it is worth investing in PLI and PAT before you conduct mobile work.
For Further Information
There are DJ related articles on ezine to read but for everything else, consider contacting the DJ Associates Disc Jockey Association (DJ@) or the DJsUnited online forum community.
Three fundamental elements that successful DJ'ing requires is a love of music, perseverance and enthusiasm. If you have those, then you are most definitely on the right track to become a DJ! But what else do you need to know?
Well, you'll be pleased to know that you do not actually require a certificate to call yourself a DJ, but there are accepted practices to follow which I'll come to a little later. DJ'ing is diverse and some types require great skill where others very little. Essentially, you need to know what type of DJ you want to be because having thousands of pounds worth of disco kit does not make a successful DJ alone!
The 'Jukebox DJ'
The 'Jukebox DJ' is identified as someone who merely plays track after track! The skill factor involved is not exactly demanding and the term is not exactly referred to in an affectionate way! This is a reference to a type of DJ who has little if any interaction with their audience, no microphone technique and is as inanimate and uncharismatic as a Jukebox!
The Mobile DJ
Although there is no specific job description for a Mobile DJ to follow, a fair summary would be to say that a mobile DJ is very much like an entertainer. Mobile DJs can be expected to play music from all variety of genres and to varying sized audiences. Mobile DJs will learn to 'read the audience' and gauge the music they play throughout the night. Lighting used is to enhance atmosphere and over time, the quality of the presentation improves with experience and of course dedication.
As the mobile DJ gains experience, they'll not just gain confidence but they'll also gain the attributes to deal with a particular circumstance. Whilst many types of Mobile DJs interact with the audience as required, there are some mobile DJs who hardly use the microphone, or cater for a specific field of music or genre. Rightly so, the mobile DJ is.
The 'Mobile DJ' is far removed to that of a 'Jukbox DJ' although sadly, there are occasions where Mobile DJs are expected to be just like a jukebox! Mobile DJs are hired to perform at private functions such as Engagements, Wedding Receptions, Birthday Parties, Anniversaries, Pool Parties, etc, public events such as fund raisers, open days, community events, to corporate occasions such as Staff Parties, Dinner and Dances, School Disco's and of course charity events.
Mobile Discos are most certainly more than just loud music and flashy lights! The mobile DJ will play a variety of music from all types of genres, not specifically music of their own liking but orientated towards that of their clients and their guests. Therefore, the mobile DJs music library will be quite diverse and varied, ideally for all types of mobile function that can be catered for.
Based on the reactions to the music played during the function, the mobile DJ is literally 'reading the crowd' and looking for 'feedback' from the number of dancers on the dance floor, their reactions, those tapping their feet who are seated or standing around the room, body language of the guests, etc are all indications for the DJ to interpret in order to assist in the choices of music to be gauged throughout the night.
In some types of functions, the music will be gauged more so due to the nature of the occasion such as a Wedding, where the clients guests may take a little time to become motivated to get up and dance. When this happens, the DJ may have to use the microphone to help encourage the clients guests to participate.
Building a music library
There is no rule as to what music you should buy or focus on to build your music library, suffice to say that the type of functions you wish to cater for are a strong indication!
For example, if you intend to focus on functions where the age group attending is of a particular age, such as 18 to 21, then you'll ideally need a variety of music and not just up to date chart music and tracks from the previous 10 to 20 years. At the time of writing this article, that would indicate music from as far back as the 80s, and does not include the popular 'party tracks' of earlier years! So a wide and varied music selection is always a safe bet as everyone's tastes will be different, unless of course, the function event is a specific type for a specific genre of music to be called for.
In terms of what is described as 'modern dance', 'anthem' and 'clubbing music', music from the late 80s to 90s and onwards would easily fit that category, whereas 'party' and the more modern term of 'cheesy' music covers literally decades of music, right from the 1950s to current!
Naturally, you'll never be able to please everyone 100%, all of the time, as music tastes vary from person to person. But you can appeal to the audience if your music covers a wide variety of genres and your clients will appreciate this if they want everyone to have a great time. Investing in popular tracks from a good quality original source as opposed to the obscure tracks from vague sources would be my best advice. More about this point in a moment.
Learning the ropes
Of course, not everyone will have the ability to be a mobile DJ. It can take years to perfect for some, where others grasp the basics in a relatively short period of time. There is no definitive rule book to follow or short cut to take in becoming a great mobile dj with a good reputation, but by far one of the most simple and ideal routes to becoming a mobile DJ is to work with another established mobile DJ and learn from them.
There are 'DJ courses' you can pay for to learn how to DJ, but nothing beats the experience of attending the function as a 'roadie', from learning how to load and unload a vehicle safely, to helping set-up the DJs equipment, learning how the DJ works with venues, clients and guests, gaining the perspective first-hand from the professional, even learning about the cost of the equipment for the time when you invest in your own, as opposed to attending a class which would cost you money and would most likely not be as enlightening!
Online communities such as the long established 'DJsUnited' forum offer free advice to both newbie's and established professionals. Members share tips and discuss marketing strategies as well as music and DJ related issues; registration is completely free.
Use of pirated music
It can take years to build an extensive quality music library but cutting corners by obtaining tracks illegally in bulk will result in more than just poor sound quality reproductions. Pirated music is damaging the music industry and everyone involved at whatever level they operate has a duty of responsibility, including DJs. Performances with pirated music will undoubtedly reflect on your reputation as a service. Pirated music is usually of a lower sound quality than the original. More importantly, use of such material does nothing to help those upon which we rely on and promote. Without musicians, bands and singers, DJs are of course nothing, and without our investment and proper professional DJ promotion, the up and coming bands and singers have no ideal medium to channel their talent! A symbiosis relationship between the sectors of the music industry is of course mutually beneficial for all, therefore building a music collection from pirated material is indeed immoral and quite damaging to both sectors.
Disco Equipment
The most important thing to remember about disco equipment is this, the tools of the trade do not make the service, it's how they are used by the service provider! So by going out and buying the biggest, latest or most DJ equipment does not make a great DJ!
Ideally, you need to budget for your DJ system and you'd be surprised on how well you can do from as little as ?1,500 investment based on new and second hand purchases, not forgetting that music are also 'tools of the trade' and have a slightly higher priority than flashing lights on purchase considerations! Of course, you'll garner all this by working with another established DJ instead of parting with your money first! It will take time to 'build' and upgrade your disco, the process is ongoing! You'll save a lot of time and money by trying equipment first hand as well as seking advice as opposed to buying the first thing you see!
Venues are increasingly requiring DJs to hold Public Liability Insurance and Portable Appliance Test 'certificates', therefore they too can be considered as 'tools of the trade'. Venues can set the level of Liability insurance required so you would be wise to research the levels for the intended areas of disco service cover. For example, one venue may require ?2 million pounds liability cover, another may insist on ?5 million cover.
PLI is covered in another article but in short, the venues require the DJ to have a minimum level of insurance cover in the event of an accident that may be as a result of neglect on the DJs part. Public Liability for DJs should be obtained as it is specifically intended for DJs and is least likely to be subject to policy scrutiny in the event of a claim.
Portable Appliance Testing should be carried out annually by a competent operator who will test the electrical equipment for safety, documenting the findings which can be produced as evidence if requested by a venue. Ultimately, it is worth investing in PLI and PAT before you conduct mobile work.
For Further Information
There are DJ related articles on ezine to read but for everything else, consider contacting the DJ Associates Disc Jockey Association (DJ@) or the DJsUnited online forum community.
May
31
Mobile DJ’ing – Why Operating Legally is the Best Option
Posted by: | Comments
Dan Dukesy asked:
It's a known fact the 'mobile DJ' is not perceived in the same way as other 'trades' and professions, but that's likely due to a number of factors which can not entirely be addressed in one article alone!
What I am going to cover in this article is 'legality' of the operating mobile DJ, and how it is a far better option than operating 'illegally'.
Tax
There is nothing worse than the bite of the Tax Man as I was once told! When they dig their teeth and claws into your personal life, they are hard to shake off.
But what attracts the Tax man in the first place?
If there are a series of dead ends, discrepancies in paperwork or 'odd figures' on file - all these gain the attention of the revenues investigative arm to start off with!
The obvious course of action would be to amend bad business practice and make it good.
Nobody said that a sole trading DJ needed to be a great accountant! There are simple steps that can be followed in business practice that can help even the most fretful or nervous individual when it comes to dealing with money or figures.
In fact, if you have a business bank account, you can set up an account that offsets money into another account which actually gives a little interest!
This money can be used to pay off any Tax that you may owe at the end of the year, and is worth discussing with your bank adviser or manager at the earliest opportunity.
So by example, if you deposit ?100 into the account which are earnings from the disco service, a percentage can be offset into the other account.
This account may be referred to a 'Business Call Account'.
The figure you offset can be arranged to be a fixed amount or a percentage. Ideally, you will need to discuss this in finer detail with the bank adviser who will work with you to determine an agreeable figure based on the level of income into your account, outgoings via Direct Debits, etc.
Something else worth considering about Tax is when you are required to sign paperwork by the paying venue or corporate client who then have to submit the paperwork to their accounts and 'perusal' by the Tax man!
If their accounts are 'odd' or attract attention, you'll be flagged up in the system at some point so it's best to keep records over and above the legal requirement in case of an indiscretion that is investigated.
Of course, this does not mean to say that you have done anything wrong, but in case the paperwork investigated states that you earned ?1,000 a night when in fact it was only ?100 a night, you'll need to prove that the figures you know are on record - your paperwork!
Competition
Competition is good for any line of business but in the DJ profession, it can be very cut-throat!
From as far back as the early 1990's, there have been reports of DJs being reported to the Tax man for avoidance of paying their way - by jealous or upset DJ competition!
Although not a very good idea to discuss your turnover and financial standing openly, there are those that have not learned the art of professional discretion or what amounts to having a good business sense!
This 'old flame' of 'grassing' on other DJs has been rekindled when the music licensing companies encouraged DJs to report on other DJs who were thought to be using illegal copies of music in their commercial operation as a business.
Openly inviting DJs to report on others to a contact telephone number or email address, it would seem that there is no end to the flame fanning by the licensing companies who are most certainly seeking to exploit their new found resource!
Good advice would be to not brag about your business! Healthy competition is indeed good for any business and should be one of the factors that drives you to develop and manage your mobile DJ service.
Music Piracy
It's not just avoiding to pay Tax that attracts attention. Music Piracy is not doing the industry any good, therefore measures have been taken to ***** down on those who choose to exploit the artistes, singers, composers, song writers and musicians by not buying music, who instead pirate music.
Sadly, whilst the majority of professional DJ services in the UK would choose to use good sound quality recordings of music, there are many professed 'professionals' using low quality mass produced pirated material.
The attention of the music licensing companies to the mobile DJ has been generated by despicable operators who have boasted on the quantities of music tracks they hold on hard drive library's, referring immodestly to possessions or achievements which has only cost them time to acquire in vast numbers, instead of financial investment.
There is no positive argument for what is basically stealing other peoples work for financial gain, however, there is an argument if the owner of originally purchased music chooses to utilise mp3 digital technology for convenience of media playback, when the original source may have been a different media format.
The music licensing companies have introduced a license for those who wish to convert their tracks from one media format to another (ProDub Licence) however, this is levied on quantities of tracks as opposed to the actual tracks copied, and therefore calls into question if the license is nothing more than a money generating exercise than an actual reward for the composer and artiste of the track/s 'format shifted'.
There are thousands and thousands of mobile DJs in the UK yet only a handful have purchased the license, many through fear of losing work at venues in case they are turned away.
The bottom line, if you legally download music from a UK source (if you require mp3 format) then you do not need the license. If you buy music CDs from the shops or online via UK sources, you do not need the license.
Currently, under UK law, you are required to purchase the ProDub license if you format shift your music. Your details will be kept on the music licensing companies database, and you sign consent for a home visit / inspection of your computer equipment at your home.
Photo ID Cards
The mobile DJ sector of the music industry, business practice and fair competition is not regulated. Various avenues have been exploited over the years and since the internet revolution and technology has allowed further exploitation, traditional ideas have been adapted and introduced by the DJ Associates Association so that's members all have photo ID cards which help fight fraudulent use of Public Liability Insurance.
The cards also have the Public Liability details and will soon include further information such as Portable Appliance Test expiry and registrations to third party organisations, including those that require ProDub.
As a side note, an agency based in Kent in the mid 1990's was taken to court by several music companies for 'copying' music. The owner operator (DJ) nearly lost his house with the level of fines imposed, so please do consider carefully when you choose paths to follow. Oh, and he was reported on by a fellow DJ.
Ultimately, the decision is yours. In my opinion, operating legally is the best option as the fines imposed on someone caught avoiding Tax or using pirated music is not a good option at all!
It's a known fact the 'mobile DJ' is not perceived in the same way as other 'trades' and professions, but that's likely due to a number of factors which can not entirely be addressed in one article alone!
What I am going to cover in this article is 'legality' of the operating mobile DJ, and how it is a far better option than operating 'illegally'.
Tax
There is nothing worse than the bite of the Tax Man as I was once told! When they dig their teeth and claws into your personal life, they are hard to shake off.
But what attracts the Tax man in the first place?
If there are a series of dead ends, discrepancies in paperwork or 'odd figures' on file - all these gain the attention of the revenues investigative arm to start off with!
The obvious course of action would be to amend bad business practice and make it good.
Nobody said that a sole trading DJ needed to be a great accountant! There are simple steps that can be followed in business practice that can help even the most fretful or nervous individual when it comes to dealing with money or figures.
In fact, if you have a business bank account, you can set up an account that offsets money into another account which actually gives a little interest!
This money can be used to pay off any Tax that you may owe at the end of the year, and is worth discussing with your bank adviser or manager at the earliest opportunity.
So by example, if you deposit ?100 into the account which are earnings from the disco service, a percentage can be offset into the other account.
This account may be referred to a 'Business Call Account'.
The figure you offset can be arranged to be a fixed amount or a percentage. Ideally, you will need to discuss this in finer detail with the bank adviser who will work with you to determine an agreeable figure based on the level of income into your account, outgoings via Direct Debits, etc.
Something else worth considering about Tax is when you are required to sign paperwork by the paying venue or corporate client who then have to submit the paperwork to their accounts and 'perusal' by the Tax man!
If their accounts are 'odd' or attract attention, you'll be flagged up in the system at some point so it's best to keep records over and above the legal requirement in case of an indiscretion that is investigated.
Of course, this does not mean to say that you have done anything wrong, but in case the paperwork investigated states that you earned ?1,000 a night when in fact it was only ?100 a night, you'll need to prove that the figures you know are on record - your paperwork!
Competition
Competition is good for any line of business but in the DJ profession, it can be very cut-throat!
From as far back as the early 1990's, there have been reports of DJs being reported to the Tax man for avoidance of paying their way - by jealous or upset DJ competition!
Although not a very good idea to discuss your turnover and financial standing openly, there are those that have not learned the art of professional discretion or what amounts to having a good business sense!
This 'old flame' of 'grassing' on other DJs has been rekindled when the music licensing companies encouraged DJs to report on other DJs who were thought to be using illegal copies of music in their commercial operation as a business.
Openly inviting DJs to report on others to a contact telephone number or email address, it would seem that there is no end to the flame fanning by the licensing companies who are most certainly seeking to exploit their new found resource!
Good advice would be to not brag about your business! Healthy competition is indeed good for any business and should be one of the factors that drives you to develop and manage your mobile DJ service.
Music Piracy
It's not just avoiding to pay Tax that attracts attention. Music Piracy is not doing the industry any good, therefore measures have been taken to ***** down on those who choose to exploit the artistes, singers, composers, song writers and musicians by not buying music, who instead pirate music.
Sadly, whilst the majority of professional DJ services in the UK would choose to use good sound quality recordings of music, there are many professed 'professionals' using low quality mass produced pirated material.
The attention of the music licensing companies to the mobile DJ has been generated by despicable operators who have boasted on the quantities of music tracks they hold on hard drive library's, referring immodestly to possessions or achievements which has only cost them time to acquire in vast numbers, instead of financial investment.
There is no positive argument for what is basically stealing other peoples work for financial gain, however, there is an argument if the owner of originally purchased music chooses to utilise mp3 digital technology for convenience of media playback, when the original source may have been a different media format.
The music licensing companies have introduced a license for those who wish to convert their tracks from one media format to another (ProDub Licence) however, this is levied on quantities of tracks as opposed to the actual tracks copied, and therefore calls into question if the license is nothing more than a money generating exercise than an actual reward for the composer and artiste of the track/s 'format shifted'.
There are thousands and thousands of mobile DJs in the UK yet only a handful have purchased the license, many through fear of losing work at venues in case they are turned away.
The bottom line, if you legally download music from a UK source (if you require mp3 format) then you do not need the license. If you buy music CDs from the shops or online via UK sources, you do not need the license.
Currently, under UK law, you are required to purchase the ProDub license if you format shift your music. Your details will be kept on the music licensing companies database, and you sign consent for a home visit / inspection of your computer equipment at your home.
Photo ID Cards
The mobile DJ sector of the music industry, business practice and fair competition is not regulated. Various avenues have been exploited over the years and since the internet revolution and technology has allowed further exploitation, traditional ideas have been adapted and introduced by the DJ Associates Association so that's members all have photo ID cards which help fight fraudulent use of Public Liability Insurance.
The cards also have the Public Liability details and will soon include further information such as Portable Appliance Test expiry and registrations to third party organisations, including those that require ProDub.
As a side note, an agency based in Kent in the mid 1990's was taken to court by several music companies for 'copying' music. The owner operator (DJ) nearly lost his house with the level of fines imposed, so please do consider carefully when you choose paths to follow. Oh, and he was reported on by a fellow DJ.
Ultimately, the decision is yours. In my opinion, operating legally is the best option as the fines imposed on someone caught avoiding Tax or using pirated music is not a good option at all!
May
29
How to Start a DJ Service Business
Posted by: | Comments
Mark Ralph asked:
If you like parties, dancing and music, and are looking to earn extra money, then consider opening a DJ Business. A DJ is in high demand for; events, weddings, birthdays and just about any type of social gathering. Being a Disk Jockey can be done either part time to supplement your income or as a full time career.
The first thing about becoming a DJ is that it is not only about the music. You will have to learn how to entertain the audience and keep them interested. The most successful DJ's will have a microphone and use it to get the crowd excited. Many of the events which you will be performing at will require some type of interaction with the audience including; being an announcer, introducing people or entertaining them. A good positive, dynamic and upbeat attitude will help tremendously.
If you feel you have what it takes to entertain a party event, then the next step is to buy the correct DJ Equipment. The basic mobile DJ Equipment you will need are: 2 CD Players, A Turntable, Power Amplifier, Speakers, Audio Mixer, Wireless Microphone and Cables. Additional DJ Back-up Supplies you should include are a flashlight, extra cords, carrying cases, duct tape and a small tool kit. Many companies sell complete DJ Packages and systems which contain everything needed. If you do not have the money for a complete package you can start small and build up or buy used DJ equipment from auction or classified ad sites.
Taking care of business is as easy as:
1.) Naming your business.
2.) Obtaining a local business license.
3.) Getting a Tax ID Number.
4.) Opening up a bank account and
5.) Getting Professional made flyers and business cards.
Once you take care of city and/or county business requirements, it is always a good idea to get some type of General Liability Insurance. If you are not sure what type of insurance to obtain for your new business it is always best to speak to an insurance agent or to a business attorney.
Now all you will need to do is get enthusiastic, get motivated and get your groove on! The DJ business is a super way to meet many new people and develop future business contacts. Start by investing in some DJ Equipment, open up your business and pass out your cards and flyers. By keeping the party exciting, not only will you have fun, you will be earning an excellent income too.
If you like parties, dancing and music, and are looking to earn extra money, then consider opening a DJ Business. A DJ is in high demand for; events, weddings, birthdays and just about any type of social gathering. Being a Disk Jockey can be done either part time to supplement your income or as a full time career.
The first thing about becoming a DJ is that it is not only about the music. You will have to learn how to entertain the audience and keep them interested. The most successful DJ's will have a microphone and use it to get the crowd excited. Many of the events which you will be performing at will require some type of interaction with the audience including; being an announcer, introducing people or entertaining them. A good positive, dynamic and upbeat attitude will help tremendously.
If you feel you have what it takes to entertain a party event, then the next step is to buy the correct DJ Equipment. The basic mobile DJ Equipment you will need are: 2 CD Players, A Turntable, Power Amplifier, Speakers, Audio Mixer, Wireless Microphone and Cables. Additional DJ Back-up Supplies you should include are a flashlight, extra cords, carrying cases, duct tape and a small tool kit. Many companies sell complete DJ Packages and systems which contain everything needed. If you do not have the money for a complete package you can start small and build up or buy used DJ equipment from auction or classified ad sites.
Taking care of business is as easy as:
1.) Naming your business.
2.) Obtaining a local business license.
3.) Getting a Tax ID Number.
4.) Opening up a bank account and
5.) Getting Professional made flyers and business cards.
Once you take care of city and/or county business requirements, it is always a good idea to get some type of General Liability Insurance. If you are not sure what type of insurance to obtain for your new business it is always best to speak to an insurance agent or to a business attorney.
Now all you will need to do is get enthusiastic, get motivated and get your groove on! The DJ business is a super way to meet many new people and develop future business contacts. Start by investing in some DJ Equipment, open up your business and pass out your cards and flyers. By keeping the party exciting, not only will you have fun, you will be earning an excellent income too.
May
27
How to Become a DJ Or Improve Your DJ Business
Posted by: | Comments
MJ Roberts asked:
Do you want to become the best DJ in town or is your DJ business ready yet? As a DJ, how do you get a successful event out of your music and DJ skills? Do you want to improve your DJ skills AND your DJ business?
This is a hobby that could become a very lucrative second income you know, especially in this time of recession. In order to have a successful event you need to have the right training and a basic tip is you need to have the right song played at the right time. This is one of the major tips! In order to keep your clients satisfied you have to give them the right songs but if you don't put them at the right time, well, you just missed your shot!!! It's a strategy...Want more tips?
You do not put easy listening music after the meal when they want to dance and you do not want to put bright rock music when they are at the table eating. You must not forget the client's needs.
You have to be varied as well. You need dancing songs, dinner songs, wedding songs.
If you're a DJ just starting out or even been a professional DJ for some time, there are new ways and tips that you can use to improve your skills, that's the fun part of being a DJ or even being a musician in a band and you have to be open to new tricks, it's a way of life as well.
One solution is to create playlists that will become a hit every time you do your gig. Find yourself a pattern and follow it! Do not change what works and improve what does not work so well. Then, all you will have to do is schedule your songs for the right moment. It will become a natural skill.
Here are some playlists that you can use: Wedding songs, games songs, children songs, easy listening/dinner songs, etc.
Another thing that will make your DJ business successful is to be organized! Write everything down, have special forms for each client for every step of the process from the booking to the after event, this will make you look more professional towards your client. They will feel confident and come back to you. You will build up a reputation and a clientele and therefore...more money!
Do you want to become the best DJ in town or is your DJ business ready yet? As a DJ, how do you get a successful event out of your music and DJ skills? Do you want to improve your DJ skills AND your DJ business?
This is a hobby that could become a very lucrative second income you know, especially in this time of recession. In order to have a successful event you need to have the right training and a basic tip is you need to have the right song played at the right time. This is one of the major tips! In order to keep your clients satisfied you have to give them the right songs but if you don't put them at the right time, well, you just missed your shot!!! It's a strategy...Want more tips?
You do not put easy listening music after the meal when they want to dance and you do not want to put bright rock music when they are at the table eating. You must not forget the client's needs.
You have to be varied as well. You need dancing songs, dinner songs, wedding songs.
If you're a DJ just starting out or even been a professional DJ for some time, there are new ways and tips that you can use to improve your skills, that's the fun part of being a DJ or even being a musician in a band and you have to be open to new tricks, it's a way of life as well.
One solution is to create playlists that will become a hit every time you do your gig. Find yourself a pattern and follow it! Do not change what works and improve what does not work so well. Then, all you will have to do is schedule your songs for the right moment. It will become a natural skill.
Here are some playlists that you can use: Wedding songs, games songs, children songs, easy listening/dinner songs, etc.
Another thing that will make your DJ business successful is to be organized! Write everything down, have special forms for each client for every step of the process from the booking to the after event, this will make you look more professional towards your client. They will feel confident and come back to you. You will build up a reputation and a clientele and therefore...more money!
Aug
27
The Advantages of Professional Audio/video Equipment
Posted by: | Comments
John Berrian asked:
The term “professional” means something different to just about everybody and everything. A “professional athlete” is classified as someone who plays a sport and is paid for it as opposed to those who play for recreation. A “sales professional” is someone employed in the business of selling and is seemingly at the top of their game. A doctor is considered to be a “professional”, and so is a lawyer. Professional audio/video equipment is considered to be of a higher quality than traditional consumer grades, even though the term “higher quality” is never mentioned. The biggest myth regarding professional audio/video equipment is that it’s not affordable to the average shopper. This couldn’t be further from the truth. If you’re into recording audio, professional audio equipment will alleviate the annoying “hiss” that’s sure to come through and make any tape or disc next to useless for any public play. When watching a personally recorded video, you’ll notice a dramatic difference in both picture quality and clarity. And the price difference between the consumer and professional grades is not even close to what you’re thinking. In fact, you’re sure to be pleasantly surprised. The majority of professional audio/video equipment can be easily transported, whereas consumer grade mobility might be a bit more difficult. Speakers and other large, heavy items will either have handles on the sides or will have lock-box cases with heavy-duty handles to make the carrying process a whole lot easier. Professional grade speakers aren’t just easier to move around, but they’re more durable and have a great reputation for lasting for quite a while (otherwise, the manufacturer wouldn’t have their brand name plastered across the front for everyone to see.) Manufacturer warranties usually cover more aspects of the equipment and/or for a longer period of time. Extended warranties are also available, typically for longer periods of time with professional audio/video equipment. Don’t forget about the details that make the professionals of the audio/video trade stand out amongst the amateurs, like mirror balls and bubble machines. Strobe lights are also regaining the “spotlight” for traveling disc jockeys and other members of the business, as well as many other effects reminiscent of the “days of disco”. Even if you aren’t a pro, you can create the feeling that you are by crafting an area of your home to display your gear. When you’re purchasing your pro audio/video equipmentt, be sure to not skimp on the small stuff, like the cables and power cords, as they do make a huge difference.
Yard, Garden and Outdoor Living
The term “professional” means something different to just about everybody and everything. A “professional athlete” is classified as someone who plays a sport and is paid for it as opposed to those who play for recreation. A “sales professional” is someone employed in the business of selling and is seemingly at the top of their game. A doctor is considered to be a “professional”, and so is a lawyer. Professional audio/video equipment is considered to be of a higher quality than traditional consumer grades, even though the term “higher quality” is never mentioned. The biggest myth regarding professional audio/video equipment is that it’s not affordable to the average shopper. This couldn’t be further from the truth. If you’re into recording audio, professional audio equipment will alleviate the annoying “hiss” that’s sure to come through and make any tape or disc next to useless for any public play. When watching a personally recorded video, you’ll notice a dramatic difference in both picture quality and clarity. And the price difference between the consumer and professional grades is not even close to what you’re thinking. In fact, you’re sure to be pleasantly surprised. The majority of professional audio/video equipment can be easily transported, whereas consumer grade mobility might be a bit more difficult. Speakers and other large, heavy items will either have handles on the sides or will have lock-box cases with heavy-duty handles to make the carrying process a whole lot easier. Professional grade speakers aren’t just easier to move around, but they’re more durable and have a great reputation for lasting for quite a while (otherwise, the manufacturer wouldn’t have their brand name plastered across the front for everyone to see.) Manufacturer warranties usually cover more aspects of the equipment and/or for a longer period of time. Extended warranties are also available, typically for longer periods of time with professional audio/video equipment. Don’t forget about the details that make the professionals of the audio/video trade stand out amongst the amateurs, like mirror balls and bubble machines. Strobe lights are also regaining the “spotlight” for traveling disc jockeys and other members of the business, as well as many other effects reminiscent of the “days of disco”. Even if you aren’t a pro, you can create the feeling that you are by crafting an area of your home to display your gear. When you’re purchasing your pro audio/video equipmentt, be sure to not skimp on the small stuff, like the cables and power cords, as they do make a huge difference.
Yard, Garden and Outdoor Living